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Hilary Fraser - Women Writing Art History in the Nineteenth Century Looking Like a Woman [2014][A]

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 							Product Details
  Book Title: Women
Writing Art History in the Nineteenth Century: Looking Like a Woman (Cambridge Studies in Nineteenth-Century Literature
and Culture)	 	
  Book Author: Hilary Fraser (Author) 
  
Series: Cambridge Studies in Nineteenth-Century Literature and Culture (Book
95)
   Hardcover: 250 pages
   Publisher: Cambridge University Press (October 31, 2014)
  
Language: English
   ISBN-10: 1107075750
   ISBN-13: 978-1107075757
  
  Book Description
  Publication Date: October 31,
2014
  This book sets out to correct received accounts of the emergence of art history as a masculine field.
It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice
Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power,
its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more
flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel
literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows
how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically
formative; how working from the margins of established institutional structures gave women the freedom to be audaciously
experimental in their writing about art in ways that resonate with modern readers.
  
 
About the Author
  Hilary Fraser is
Executive Dean of Arts and Geoffrey Tillotson Professor of Nineteenth-Century Studies at Birkbeck, University of London.
Her publications include Beauty and Belief: Aesthetics and Religion in Victorian Literature (Cambridge University Press,
1986), The Victorians and Renaissance Italy (1992), Gender and the Victorian Periodical (with Judith Johnston and
Stephanie Green, Cambridge University Press, 2003) and Minds, Bodies, Machines, 1770-1930 (co-edited with Deirdre
Coleman, 2011).  						

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